Arendell Parrot Academy

Patriot Players 2008 – 2009

 

Come to “Where The Wild Things Are!” The Patriot Players Sixth Season delivers magic, mayhem, mystery, and merriment. Don’t miss all the excitement. You can begin by turning RUTHLESS! If your ruthless behavior gets the best of you, you can enter into A MIDSUMMER NIGHT’S DREAM and finally, you may discover real adventure if you go INTO THE WOODS.

 

Here are the production dates:

 

RUTHLESS! The Musical                                     November 10, 12, 14 @ 7:00 p.m

A MIDSUMMER NIGHT’S DREAM                        November 11, 13, 15 @ 7:00 p.m.

INTO THE WOODS                                              February 12, 13, 14, @ 7:30 p.m.

                                                                           February 15 @ 2:00 p.m.

Spring Student Showcase                               

Student Directed One Act Plays                          Dates TBA

 

Our two fall productions will be done in repertory which means we will do a rotating schedule. RUTHLESS! is only open for audition to the high school theatre arts class. A MIDSUMMER NIGHT’S DREAM is open for audition to 5 – 12 grades. Our musical, INTO THE WOODS is open to 5 – 12 grades.

 

A Special Note About Auditions! Please read very carefully!

Please take very careful notice of the audition requirements for each show. Prior to auditioning, all students must review their schedules for conflicts. When filling out your audition form, you must be precise and exceedingly specific about your conflicts. Many of you will leave out details, come to the director during the rehearsal process about a conflict, and then expect the director to make accommodations for you. It doesn’t work that way. You have to be responsible and honest about your conflicts. Younger students who decide to audition, should sit down with their parents about their schedules. As always, there is one mandatory rehearsal Saturday. The mandatory Saturday for RUTHLESS! is October 4th, A MIDSUMMER NIGHT’S DREAM is October 18th, and for INTO THE WOODS is January 24th. You are not allowed to miss the Saturday rehearsal. Do not audition for the play or plays if you know that you won’t be able to attend the Saturday rehearsal. Now, you are allowed three absences during the rehearsal process. Three tardies to rehearsal are equivalent to an absence.You cannot miss rehearsal the final two weeks before the performance dates. Audition Sign-Up sheets for all shows will be posted outside the Lab Theatre. The audition is essentially a job interview. When you go to a job interview, you prepare for the interview. Obviously, the more prepared you are for the interview, the better  your chance of getting the job. The theatre audition is no different. Final Note: Pay attention to the dress requirement for each audition.

 

Audition Dates

RUTHLESS!          

Thursday August 21                 3 – 5:00 p.m.                Vocal Auditions

Friday August 22                      3 – 5:00 p.m.                Script Auditions

Monday August 25                   3 – 5:00 p.m.                CallBacks

 

A MIDSUMMER NIGHT’S DREAM

Tuesday August 26                    3 – 5 p.m.                    Script Auditions

Wednesday August 27               3 – 5 p.m.                     Script Auditions

Thursday August 28                  3 – 5 p.m.                     CallBacks

 

 

INTO THE WOODS                   

Tuesday December 2                3 – 5:00 p.m.                Vocal Auditions

                                                                                    Movement Auditions

Wednesday December 3           3 – 5:00 p.m.                Script Auditions

Thursday December 4              3 – 5:00 p.m.                Callbacks

 

 

  

AUDITION REQUIREMENTS

 

RUTHLESS! The Musical (High School Theatre Arts or Performance Practicum Class Only)

Audition Requirements

 

Roles Available

Sylvia St Croix (male role)

Judy/Ginger

Miss Thorn

Eve

Miss Block

Tina

Lita Encore

Louise

Frederick

 

All auditionees are required to sing 16 – 32 bars of an Ethel Merman song from one of her greatest musical theatre stage or movie performances. We are looking to see what kind of belt possibility you possess. Anyone considering the role of Judy/Ginger needs a great deal of preparation. Her voice requires both a good belt and strong soprano range. Also, you must audition as Judy and Ginger in order for the director to see a clear transformation of character. The role of Eve will be a non-singing role since we have cut her song “Penthouse Apartment” from the show and the role of Miss Block is a non-singing role.  The following are some examples of Ethel Merman greats:

 

There’s No Business Like Show Business

Anything Goes

Everything’s Coming Up Roses

Doing What Comes Naturally

I Get A Kick Out Of You

Some People

I Got Rhythm

They Say That Falling In Love Is Wonderful

Anything You Can Do I Can Do Better

 

Please come to auditions having read the play several times over the summer. Take some time out to watch the movies that the show references. As for scene auditions, please choose a role that you believe is the right choice for you. Look at yourself honestly. If you audition for Tina, please keep in mind the height consideration and that we are playing her as a ten year old instead of an eight year old.  Since the majority of students have a script, you will choose the scene. The director is not going to make recommendations or give sample scenes. This is a hot reading which means you must prepare with your partner. There are also a few monologues that you can do in addition to the scene. Simply tell the stage manager when you are auditioning that you will also do a monologue.  Your audition preparation will be included in your grade calculation for the first grading period. All students must audition even if your participation will be in the technical arena. Anyone who is not cast will be part of the technical crew. As to the dress requirement: If you would like to attempt to dress as the character, go right ahead! If not, ladies please wear a dress of decent length, wear character shoes, and do not have your hair in your face. Guess what? If you are a guy, your dress requirement falls right in with the ladies!

 

 

A MIDSUMMER NIGHT’S DREAM

Before you audition, you must read the entire play. You many want to purchase a “No Fear Shakespeare” of MIDSUMMER to aid in your understanding of the play

Auditions open from fifth through twelfth grade

 

Roles Available

Theseus, Duke of Athens

Hippolyta, Queen of the Amazons, betrothed to Theseus

Egeus, Father of Hermia

Lysander, in love with Hermia

Demetrius, preferred by Egeus as a match for Hermia

Hermia, in love with Lysander

Helena, in love with Demetrius

Oberon, King of the Fairies

Titania, Queen of the Fairies

Puck or Robin Goodfellow, Oberon’s jester and attendant

Peaseblossom, Fairy attending on Titania

Cobweb, Fairy attending on Titania

Mustardseed, Fairy attending on Titania

Peter Quince, carpenter (Prologue in ‘Pyramus and Thisbe’)

Nick Bottom, weaver (Pyramus)

Francis Flute, bellows-mender (Thisbe)

Tom Snout, tinker (Wall)

Robin Starveling, tailor (Moonshine)

Snug joiner (Lion)

 

Casting considerations:

Once you have read the play, think carefully about the role or roles you believe are right for you.  Half the battle with auditioning is involved in making the right choice. Casting women to play male roles (as men) works for the mechanicals. Some male characters, may, with a change of pronouns, simply be switched to female characters.  Fifth and sixth grade auditionees will be considered for the roles of Titania’s Fairies only. The director suggests that when you audition for the play, you use one of Puck’s monologues.

 

Audition Requirements

Please choose a one minute monologue from the play for the character you believe is right for you. The monologue must be memorized! The director needs to believe that you understand the role and you are fully prepared for the audition. If you audition with the script in hand, you will not be considered for a role. Also, you should be very familiar  with the entire play because you may be asked a question about the play during the audition. Samples of monologues will be available through Mrs. Schreiber. Shakespeare’s plays always have an abundance of monologues. If you are called back, you will then do a scene from the play. It will be a cold reading, but if you know the play well enough, you should not have a problem in the callback audition. The dress requirement is going to ask for creativity. MIDSUMMER will be done in the 60's. You need to do a bit of research and look at the fashion of the day. For example, The Beatles were ever so popular during the 60's. Maybe you would like to dress as one of them for your audition or maybe you would like to dress as a cartoon character from the 60's. Please have fun in being creative!

 

 

A MIDSUMMER NIGHT’S DREAM                         

by William Shakespeare

Synopsis from Shakespeare Resource Center

 

Lysander loves Hermia, and Hermia loves  Lysander. Helena loves Demetrius; Demetrius     used to love Helena but now loves Hermia. Egeus, Hermia's father, prefers Demetrius as a suitor, and enlists the aid of Theseus, the Duke of Athens, to enforce his wishes upon his daughter. According to Athenian law, Hermia is given four days to choose between Demetrius, life in a nunnery, or a death sentence. Hermia, ever defiant, chooses to escape with Lysander into the surrounding forest.

Complications arise in the forest. Oberon and Titania, King and Queen of Fairies, are locked in a dispute over a boy whom Titania has adopted. Oberon instructs his servant Puck to bring him magic love drops, which Oberon will sprinkle in the Queen's eyes as she sleeps, whereupon Titania will fall in love with the first creature she sees upon awakening. Meanwhile, Helena and Demetrius have also fled into the woods after Lysander and Hermia. Oberon, overhearing Demetrius's denouncement of Helena, takes pity upon her and tells Puck to place the magic drops on the eyes of Demetrius as well, so that Demetrius may fall in love with Helena. Puck, however, makes the mistake of putting the drops in the eyes of Lysander instead. Helena stumbles over Lysander in the forest, and the spell is cast; Lysander now desires Helena and renounces a stunned Hermia.

In the midst of this chaos, a group of craftsmen are rehearsing for a production of "Pyramus and Thisbe," to be played for the Duke at his wedding. Puck impishly casts a spell on Bottom to give him the head of a donkey. Bottom, as luck would have it, is the first thing Titania sees when she awakens; hence, Bottom ends up being lavishly kept by the Queen. Oberon enjoys this sport, but is less amused when it becomes apparent that Puck has botched up the attempt to unite Demetrius and Helena. Oberon himself anoints Demetrius with the love potion and ensures that Helena is the first person he sees; however, Helena understandably feels that she is now being mocked by both Demetrius and Lysander (who is still magically enamored of her).

Finally, Oberon decides that all good sports must come to an end. He puts the four lovers to sleep and gives Lysander the antidote for the love potion so that he will love Hermia again when they all wake up. Next, Oberon gives Titania the antidote, and the King and Queen reconcile. Theseus and Hippolyta then discover Lysander, Hermia, Helena, and Demetrius asleep in the forest. All return to Athens to make sense of what they think is a strange dream. Likewise, Bottom returns to his players, and they perform "Pyramus and Thisbe" at the wedding feast (which has since become a wedding of three couples). As everyone retires, fairies perform their blessings and Puck delivers a tender epilogue soliloquy.

 Characters
  • Theseus, Duke of Athens
  • Egeus, father of Hermia
  • Lysander, in love with Hermia
  • Demetrius, in love with Hermia
  • Philosrate, Master of the Revels
  • Quince, a carpenter
  • Snug, a joiner
  • Bottom, a weaver
  • Flute, a bellows-mender
  • Snout, a tinker
  • Starveling, a tailor
  • Hippolyta, Queen of the Amazons; betrothed of Theseus
  • Hermia, in love with Lysander
  • Helena, in love with Demetrius
  • Oberon, King of Fairies
  • Titania, Queen of Fairies
  • Puck, or Robin Goodfellow
  • Peaseblossom, a fairy
  • Cobway, a fairy
  • Moth, a fairy
  • Mustardseed, a fairy
  • Other Fairies, attendants to Oberon and Titania
  • Attendants to Theseus and Hippolyta

 

Into The Woods

Book by: James Lapine
Lyrics by: Stephen Sondheim
Music by: Stephen Sondheim
Based on Classic Fairy Tales

Act One
We discover three dwellings in a large forest. In one, we see Cinderella cleaning; in the second, we see Jack trying to milk his pathetic-looking cow, Milky-White; and in the third, we see the Baker and the Baker's Wife preparing tomorrow's bread.

The Narrator leads the company through The Prologue" as we learn about a series of wishes that are more important than anything - even life itself - to these characters. Cinderella wants to go to the King's Festival; Jack wishes his cow could give milk; and the Baker (who believes his parents were killed in a baking accident) wishes he and his Wife could have a child. As these characters express their wishes, we meet Cinderella's Stepmother and stepsisters who laugh at the idea of her going to a ball; Jack's aging mother who wishes for a lot of gold and a less foolish son; and Little Red Ridinghood, who comes to buy bread, sticky buns and pies from the Baker and his Wife before starting her journey into the woods to see her sick Grandmother.

We learn Jack's cow (whom Jacks foolishly persists in refering to as "he") is no longer giving milk. Jack's Mother says he must sell the cow so they can survive. He is crushed because he thinks the cow is his best friend, but sets off to the market to sell it. Leaving Cinderella in tears, her family rides off to the ball without her.

The Baker and his Wife learn the Witch next door, a humpbacked crone with long gnarled fingers, has placed a curse on them to prevent their having a child. She explains the Baker's father had stolen various vegetables from her garden many years ago to satisfy his wife's insatiable desire for greens. He also stole the Witch's magic beans. To punish him for the theft, she demanded and had been given the Baker's sister, a sibling the Baker never knew existed. She claims she still has the Baker's sister hidden away and that he can break the spell that makes him childless only by bringing her a cow as white as milk, a cape as red as blood, hair as yellow as corn and a slipper as pure as gold.

The Baker puts on his father's old jacket as he prepares to journey into the woods. He finds six beans in the pockets and wonders if they are the Witch's magic beans. He forbids his Wife to join him on this dangerous quest as he tries to memorize the list of things the Witch says he must deliver. As "Trhe Prologue" ends, Cinderella decides to visit her mother's grave.

At this point, the show takes on a rapid pace.

Cinderella tells her mother her wish and is given a fancy dress and slippers to wear to the ball. While walking through the Woods to market, Jack encounters a Mysterious Man who tells Jack his cow is only worth a sack of beans. Little Red Ridinghood meets a Wolf who targets her and her grandmother as his next meal ("Hello, Little Girl"). The Baker appears and is concerned harm will come to Little Red Ridinghood. The Witch warns him not to worry about the child's welfare; his task is simply to steal her cape. We hear the sound of a woman singing in the distance; it is the voice of the Baker's lost sister, Rapunzel.

As the Baker struggles to remember the four objects on his list, his Wife appears, with another offer to help him. They argue about her presence as they encounter Jack and his cow, a beast like the one the Witch has demanded. The Baker's Wife persuades Jack to sell the cow for five of their beans (which leaves them with one remaining bean). After Jack sings a sad farewell to the cow ("I Guess This Is Goodbye"), the Baker is upset they used deceit to acquire the animal. The Baker's Wife insists they did Jack a favor. ("Maybe They're Magic"). She says you have to go after what you want and not hesitate. The Baker sends his wife home with the cow and continues on his way, as Rapunzel sings again.

The Witch visits Rapunzel at the tower where she is kept prisoner. A handsome prince sees the Witch climb Rapunzel's hair and decides to try it himself the following day.

The Baker makes an unsuccessful try at stealing Little Red Ridinghood's cape - thievery does not come naturally to him. Little Red Ridinghood enters her Grandmother's house to find the Wolf, in bed, pretending to be the old woman (whom he has eaten). After the Wolf eats Little Red Ridinghood, he takes a nap. The Baker sees a corner of the red cloak hanging out of the Wolf's mouth and hoping to get the whole thing cuts his stomach open, releasing Little Red Ridinghood and her Grandmother. After the ordeal, Little Red Ridinghood realizes that "I Know Things Now." Grateful to the Baker for saving her life, Little Red Ridinghood gives him her cloak.

Jack's Mother is furious with him for selling their cow for five seemingly worthless beans and she throws them away. The Baker's Wife, leading Milky-White through the forest, encounters Cinderella, who is running from the Prince (the brother, coincidentally, of the prince who is smitten with Rapunzel) and his Steward. When Cinderella reveals she isn't sure she wants the Prince, the Baker's Wife thinks she is being very foolish ("A Very Nice Prince.") The Baker's Wife tries to take one of Cinderella's gold shoes, but is forced to chase after the runaway cow instead.

The next morning the characters realize one midnight has gone and they have not realized their wishes. Jack discovers a beanstalk has grown up overnight.

As the Baker sleeps beneath a tree, Jack appears with an oversized money sack. He sings about "Giants In The Sky" and relates his adventure. He describes the sensation of being high in the sky and meeting a lady giant who drew him close. The appearance of her husband, an even bigger giant who intended to harm him, sent him scrambling back to earth with one of the giant's sacks of gold. Jack's Mother, delighted by his acquistion, has let him keep five gold pieces which he wants to use to buy back Milky-White. He finds the Baker and demands his cow. The Baker cannot sell the cow because the Witch wants it. Jack, thinking the Baker is holding out for more money, goes off in search of additional funds, leaving the gold with the Baker. The Baker's Wife appears, confessing she has lost the cow.

Rapunzel's Prince and Cinderella's Prince exchange tales of woe ("Agony"), each insisting his romantic problem is more serious than his brother's.

The Baker's Wife, who is searching for the hair as yellow as corn, encounters Jack's Mother, who is looking for Jack. The Mysterious Man returns the cow to the Baker. The Witch warns the Mysterious Man to stay out of her business. The Baker's Wife, recognizing Rapunzel's hair as the perfect shade to satisfy the Witch's hair demand, grabs one of the girl's substantial tresses, rips it out, and runs into Cinderella, who is on her way home from another night at the Festival. The Baker's Wife tries, without success, to take Cinderella's shoe. The Baker and his Wife run into each other and he finally agrees it will take both of them to accomplish their goal ("It Takes Two").

Jack appears with the hen that lays golden eggs. The Baker's Wife realizes the Baker has considered selling the cow for money. The cow drops dead and all seems lost for the Baker and his Wife. Two midnights are gone.

The Baker goes in search of another cow. The Baker's Wife goes off to try again to grab a golden slipper. The Witch warns Rapunzel to obey her ("Stay With Me") and to remain shielded from the world. Rapunzel says she is no longer a child and wants to see the world. Enfuriated, the Witch cuts off most of Rapunzel's hair and exiles her. The Narrator reveals, while pursuing Rapunzel, Rapunzel's Prince has fallen into a patch of thorns and blinded himself.

Little Red Ridinghood has turned bloodthirsty, replacing her red cloak with one made from the skins of the Wolf. Jack, questing after more money for his mother, has returned to the giant's domain to steal more gold.

Leaving her third visit to the royal ball with only one slipper, Cinderella reflects on her indecision about leaving her miserable home for the unknown aspects of life with the Prince ("On The Steps of the Palace"). She decides not to decide. She has left a shoe for the Prince to find and it will be his decision.

The Baker's Wife gives Cinderella her own shoes in exchange for the remaining gold slipper. She then has a struggle with the Prince's Steward who also wants the second gold slipper. The Mysterious Man becomes involved in the struggle. The Prince decides they only need one shoe. There is a horrible thud. Jack's Mother screams that a dead giant has fallen from the sky. No one seems to care. The third midnight is near.

The Baker and his Wife report to the Witch with their four objects, but she rejects the new cow which they have covered with flour to look like the dead Milky-White. The Witch demands they bring the dead Milky-White to her and she'll bring it back to life. Jack appears with a golden harp. The Witch restores Milky-White to life and commands the Baker to feed the cow the other objects. A clock chime begins to strike. The Witch insists the cow be milked to fill a silver goblet. Jack tries, but no milk flows. When the Baker's Wife says she pulled the hair as yellow as corn from a maiden in the tower, the Witch explains she, the Witch, cannot have touched any of the objects needed to break the spell. The Mysterious Man says to feed the cow an ear of corn. The Witch reveals the Mysterious Man is the Baker's father. The cow eats the corn, the milk flows into the goblet and the Witch drinks it. She is transformed into a beautiful woman and the Baker's father dies as the third midnight strikes.

The Narrator explains the Witch had been cursed with ugliness after her beans were stolen, but is now beautiful once again. Milky-White is reunited with Jack. The Prince searches for Cinderella with the golden slipper. Lucinda and Florinda try to fit into the slipper by cutting off parts of their feet, but their tricks are discovered and the Prince finally finds Cinderella.

The Narrator states Rapunzel, who has had twins, has been reunited with her blind husband and Rapunzel's tears restored his vision. The Witch attempts a reconciliation with her adopted daughter, but Rapunzel refuses. When the Witch tries to enchant Rapunzel and her prince, she realizes that in exchange for her own youth and beauty, she has lost her magical power over others.

At Cinderella's wedding, her stepsisters are blinded. The Baker's Wife appears, very pregnant.

The Narrator observes that everything which seemed wrong is now right. The kingdoms are filled with joy and those who deserve happiness to are certain to live long and satisfying lives. Only tenderness and laughter are foreseen forever after. As everyone congratulates themselves on their unswerving determination to get their wishes, a giant beanstalk emerges from the ground and stretches to heaven. No one notices it.

Act Two

As in the opening of Act I, we discover three structures. The first is the castle where Cinderella lives with the Prince; the second is Jack's house which is filled with all the conveniences gold will buy; the third is the home of the Baker and his Wife, which is cluttered with nursery items.

While the characters seem content ("Prologue: So Happy"), minor disturbances are quietly disrupting the joyous scene. The Baker's Wife wants a bigger cottage and she is squabbling with her husband over the baby's care. Suddenly a huge crash is heard and their home caves in.

The Baker goes off to tell the Royal Family. The Witch, who has lost her garden in the incident, insists they will not be of any help. When the Baker stops at Jack's house he is refused help by Jack's Mother who is still angry because no one cared when she had a giant in her backyard. The Baker is granted an audience with Cinderella who seems unable to offer any concrete assistance. Despite his mother's warnings, Jack goes out to investigate.

Little Red Ridinghood stops at the Baker's. She is on her way to move in with her Grandmother because her own home was destroyed and her mother has disappeared. The Baker and his Wife offer to escort her through the woods. The birds come to lead Cinderella through the woods, warning of trouble at her mother's grave. The characters re-enter the woods "To flee the winds - To find a future - To shield - To slay - To flee - To find - To fix - To hide - To move - To battle - To see what the trouble is."

The royal brothers, Rapunzel's Prince and Cinderella's Prince, meet and again compare their problems. Rapunzel's Prince complains his wife finds it impossible to be happy because of her pain-filled upbringing. He has fallen for Snow White. Cinderella's Prince lusts after Sleeping Beauty (Reprise: "Agony").

The Baker, his Wife and child and Little Red Ridinghood are lost in the now chaotic woods. They see the Royal Family staggering down a path and learn the castle has been set upon by a giant. When the Baker reminds the Steward he tried to warn them, the Steward replies "I don't make policy, I just carry it out."

Suddenly the Giant appears and the group realizes it is the wife of the giant Jack killed. She has come to exact revenge and demands Jack be handed over to her. Since she is near-sighted, the group thinks they can substitute someone else. Everyone in the group has an idea who should be sacrificed. First they sacrifice the Narrator. When the Giant realizes he isn't the boy she's after, she destroys him and again demands Jack. Jack's Mother engages the Giant in a furious verbal battle; the Steward bashes Jack's Mother over the head to stop her from endangering everyone else and Jack's mother is fatally wounded. The Steward reveals that Jack is hiding in Rapunzel's tower. Then, hysterical, Rapunzel runs toward the Giant and is crushed. The witch mourns that this is the world she was trying to save Rapunzel from confronting ("Lament").

The group disagrees about turning Jack over to the Giant. The Royal Family, without concern for anyone else, run to another kingdom. The Baker and his Wife leave their child with Little Red Ridinghood and go off to save Jack from the Witch, who is on her way to turn him over to the Giant.

The Baker's Wife encounters Cinderella's Prince in the woods and they have a romantic encounter in a glade. The Prince is ready to forget his commitment to Cinderella, but The Baker's Wife is ambivalent ("Any Moment"). The Baker meets Cinderella next to her mother's ruined grave and invites her to join his group. The Baker's Wife realizes she has to let the moment go, but says she will never forget her time with the Prince ("Moments In The Woods"). She knows it is time for her to leave the woods, but she becomes lost, the giant appears and she is crushed.

Jack is discovered by the others. He reports the Baker's Wife is dead. Everyone blames him, but he blames the Baker for giving him the beans which set the scenario in motion ("Your Fault"). As the song evolves, everyone blames every one else. The Witch stops their accusations, declaring it's the "Last Midnight." She says everyone is looking for someone to blame, when they should look inward instead. She says "You can tend the garden. Separate and alone." She disappears as they begin to see the connections between their earlier individual actions and the current problem.

The Baker starts to leave the Woods, believing his child is better off with Cinderella than with him. Suddenly, his father, the Mysterious Man, reappears. The Baker says, "I thought you were dead." The Mysterious Man answers "Not completely. Are we ever?" The Baker cries out that the whole situation was caused by the father's invasion of the Witch's garden years before. The Mysterious Man accuses the Baker of running from his own guilt ("No More"). As his father leaves, the Baker realizes he is just like him. He decides to stay and fight alongside the others.

As the Baker, Jack, Little Red Ridinghood and Cinderella plan their attack, a flock of birds whispers to Cinderella that her prince has been unfaithful. She says she doesn't care and enlists their help to kill the Giant. As each perepares to execute the plan, the Prince reappears. Cinderella dismisses him saying, "My father's house was a nightmare. Your house was a dream. Now I want something in between."

Cinderella and the Baker try to reassure Little Red Ridinghood and Jack, who are now orphans trying to make sense of right and wrong ("No One Is Alone").

The Giant is killed and the dead in the community appear as ghosts, joining in a pronouncement of the moral lessons learned from the experience in the woods. The Baker and Cinderella become the responsible adults in a re-constituted family made up of the Baker's child, Little Red Ridinghood and Jack. The ghost of the Baker's Wife encourages him to believe in his power to raise their child without her. The Witch reappears to warn the Baker to be careful of the tales he tells his child ("Children Will Listen").


The final reprise of "Into The Woods" reminds us there will be times when each of us must journey into the woods but that we must mind the future and the past.

YOU JUST CAN'T ACT
YOU HAVE TO LISTEN
YOU CAN'T JUST ACT
YOU HAVE TO THINK.

The show ends as Cinderella says "I wish ... "

 Synopsis from MTI Shows

 INTO THE WOODS

 

ROLES AVAILABLE

Narrator (male or female)

Cinderella

Jack

Jack’s Mother

Baker

Baker’s Wife

Cinderella’s Stepmother

Florinda, Cinderella’s Stepsister

Lucinda, Cinderella’s Stepsister

Cinderella’s Father

Little Red Riding Hood

Witch

Cinderella’s Mother

Mysterious Man

Wolf

Granny

Rapunzel

Rapunzel’s Prince

Cinderella’s Prince

Steward

Giant

Snow White

Sleeping Beauty

Four Dancing Birds

Three Little Pigs

 

Audition Requirements

You are to choose 16-32 bars of a Stephen Sondheim song from any show except INTO THE WOODS. Stephen Sondheim music is not easy and his lyrics are vitally important for understanding his intricate themes. Auditioning for musical theatre demands that you “act your song.” Mr. Sondheim gives you such beautiful music and lyrics to act, so you must truly be prepared for your vocal audition.

 

Here are some of his shows:

SWEENEY TODD

ASSASSINS

PACIFIC OVERTURES

COMPANY

A LITTLE NIGHT MUSIC

PASSION

ANYONE CAN WHISTLE

SUNDAY IN THE PARK WITH GEORGE

 

Script Auditions

You will not read directly from the script. You will write your own one minute monologue based on one of the fairy tales from the Brothers Grimm. INTO THE WOODS uses some of these fairy tales. We would like you to choose different fairy tales than those used in the show. The Brothers Grimm collection has well over 100 fairy tales. Choose a fairy tale with a great character, write your monologue, and develop your character. As always, we love watching your creativity. For this reason, we would love to see you attempt to dress as your character. You don’t need a complete costume; a hat could do the trick. If you do not choose to do some type of costuming, then dress the same as discussed in the MIDSUMMER auditions. You need to come into an audition looking professional

DO NOT ASK MRS. SCHREIBER FOR ANY COSTUMES OR ACCESSORIES!

 

Dance/Movement Auditions

INTO THE WOODS does not have very much choreography. Instead, we are looking for actors who move well. However, we need dancers to play the birds. Your dance/movement audition will be the same day as your vocal auditions. Please bring movement clothes for your audition.